Yasugi Bushi 2 (Song of Yasugi)

To continue with the Yasugi Bushi, we have to consider the popularity of Oito's singing and Tokunosuke's shamisen playing. It grew very rapidly and since it had become fixed, as I wrote last week, they felt the need to protect the original character of the song. Therefore, they formed the hOrthodox Yasugi Bushi Preservation Societyh in 1911. At that time, formal rankings were established for singers. After the Taisho Era, it had become strongly established and is now taught and sung in the standard way.

However, it is still flexible in the sense that the emotions of the singer can be expressed in the song. From this point of view, it is really a song from the people's heart. I really enjoy hearing the song when there is a party for foreign people, because I can get comments on the real Japan and its art. While talking about such things, I also learn the reason they wanted to come to Japan and the benefit they expect to gain from it.

Shimane Prefecture had a Cultural Fair in New York City in June of this year and the Yasugi Bushi was played there. My friend, Mr. Randy Quinby, from Pennsylvania, went to see it and it made him homesick for Shimane. He also told me that the exhibition hall had been so full that many people were standing. All of them appeared charmed by the wonderful culture of Shimane Prefecture. Maybe some of them will visit us. I certainly hope so. I will enjoy talking to them about the places I love best, Matsue and Izumo.